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Definition of JMeter Distributed Testing

JMeter is an open-source tool used to perform load and performance testing on applications. In JMeter, we can provide different types of testing; in which distributed testing is one type of testing. Basically, in distributed testing, we can conduct the testing on multiple machines to perform stress testing. We can conduct distributed testing on server-type applications and websites when we try to work with more than one client at the same time. Inside the distributed testing, we run the master on JMeter GUI mode, and it controls each slave that is associated with the master.

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What is JMeter distributed testing?

Circulated load testing is running a test on a few distinct PCs all at once. It makes it conceivable to recreate countless virtual clients and includes creating a great deal of traffic. For that reason, utilizing a solitary PC isn’t sufficient. You can likewise get more reasonable test results with conveyed testing since it reproduces the conduct that is nearer to the one of an actual client.

How JMeter distributed testing work?

Considering we want to perform testing on the web-based business website (or any webpage besides), it’s normal that you would anticipate a more significant level of traffic on specific days, similar to Black Sunday, for instance. At minutes like these, we want to take our heap tests to a higher level and reproduce bigger quantities of simultaneous clients. Assuming we are running our heap tests locally with Apache JMeter, there are sure constraints to the number of clients you can run, regardless of whether your PC has sufficient CPU and memory. How might we make a situation with more than 1000 simultaneous Whenever we talk about conveying JMeter, we allude to Master-Slave engineering where JMeter utilizes Java RMI [Remote Method Invocation] to collaborate with objects in a disseminated network. Distributed testing empowers having a nearby JMeter (ace) that handles the test execution, along with various distant JMeter occurrences (slaves) that will send the solicitation to our objective server.

Before implementation of distributed testing, we must have multiple machines. Also, we need a JMeter server that is running on each server for that structure; we need to execute the following command that is located inside the bin folder as follows.


Then, at that point, through a similar way, yet in the expert framework, find the record. Alter this record and add the IPs of all the slave frameworks that should be associated with the property remote_hosts. Ensure the expert and the slave frameworks are situated in the equivalent subnet.

Step-by-Step JMeter distributed testing

Now let’s see how we can implement distributed testing in JMeter as follows.

First, we need to start the JMeter server by using the above command. After execution of the above command, we got the following results, as shown in the following screenshot.

After that, we need to enter the JMeter GUI mode and create a Thread Group, as shown in the following screenshot as follows.

Now add the sampler into the Thread Group; here, we added HTTP requests as shown in the following screenshot as follows.

Now we need to add the listener to view the result; here, we added the view result tree as shown in the following screenshot as follows.

Inside the run menu, we have one command that is Remote Start All, as shown in the following screenshot as follows.

Now save the Test Plan and run it. After execution of the above Test Plan, we will get the following output as shown in the following screenshot as follows.

Remote execution of the above screenshot we can see in the below screenshot is as follows.

In this way, to truly appropriate the heap, we need to do it physically. E.g: to arrive at 5,000 simultaneous clients and have 10 slave frameworks, our test plan should have 1000 clients, so we wind up having 5,000 aggregate.

Another intriguing thing we can do is to add rationale to our test by adding an If Controller. The Controller permits us to pick a specific stream we need to execute, contingent upon the framework that is executing the test. In this way, unique slave frameworks would be running various pieces of the test.

JMeter distributed testing Configure

Now let’s see how we can configure the distributed testing in JMeter as follows.

First, we must ensure we have a JMeter on each machine.

The firewalls of the machine are turned off.

JMeter can access the target server.

Now we need to configure the master machine: On the expert framework, we’ll go to the JMeter/bin catalog and alter the remote_hosts property in the document to add IP addresses (comma-isolated) of the slave frameworks.


We hope from this article. You learn more about JMeter distributed testing. From the above article, we have taken in the essential idea of JMeter distributed testing, and we also see the representation and example of JMeter distributed testing. From this article, we learned how and when we use JMeter distributed testing.

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How To Upload A Video To Youtube – Step By Step Guide

YouTube is the biggest video platform worldwide boasting over 2 billion users, 79 percent of whom own a YouTube account.

If you’re a content creator, you can share your music video, vlog, tutorials, or other video content with that massive user base. Plus, if your content is great, you can grow your audience, increase your influence, and monetize your YouTube channel.

Table of Contents

However, getting your content on YouTube isn’t as easy as just recording and editing the video, uploading, and throwing it out into the world. There are many elements involved in setting up, customizing, and uploading a video.

Whether you want to inspire, entertain, educate, or sell something to your target audience, this step-by-step guide will show you how to upload a video to YouTube.

How To Upload a Video To YouTube

Before you can upload a video to YouTube, you need to create a YouTube account or sign in if you already have one. All you need is to create a Google account. Your YouTube account will have a channel where your videos can live on the platform, and viewers can find your video content.

How To Upload a Video To Youtube Using a Browser

Note: Your internet connection and the size of the video file will determine how fast your video will be uploaded. For YouTube, the best video file format is MP4 as this gives you high quality videos that are smaller in size.

Next, fill out the title and description of your video, among other details. If you want your video to rank for specific keywords, this is a good place to enter those keywords based on what your target audience is searching for.

You can also add tags, a custom or auto-generated thumbnail, add your video to a YouTube playlist, upload closed captions, and indicate if the video is made for kids or not, among other options.

Add video elements such as cards and an end screen that shows viewers related videos to promote related content, websites, and calls to action.

The following are your four Visibility choices:

Public:The video you upload will go live immediately. However, you can choose to premiere it to start a specific time and set a countdown so that your viewers can watch as they interact with others.

Unlisted: The video is live, but only those with the link to the video can watch. It won’t be shown in the search results immediately.

Private: Only you and those you choose to watch the video can view it.

Schedule: Allows you to set a specific date and time when the video will go live on YouTube.

Note: If you’re not ready to share the video with the world, set it to private or unlisted once you publish it. This gives you time to check that everything you want is in place before you share it with your preferred audience or with the public and start promoting it.

Once your video has been uploaded to YouTube, you can change the permissions to control who can access the video, add video watermarks, and more.

How To Upload a Video To Youtube From a Phone

You can use the web browser or install the YouTube app on your Android phone or iPhone to upload a video to YouTube.

Go to chúng tôi tap the three dots menu at the upper right side of the screen.

Use the same steps described above to upload your video to YouTube from a web browser on your phone.

To upload a video to YouTube using the YouTube app, download and install the free YouTube app on your Android phone or iPhone, and then sign in to your Google account.

Tap the camcorder icon at the top, next to the search button.

Next, you’ll see two options: Record and Go Live. To upload the video, select it from the video files YouTube displays from your phone.

Fill out the details of the video such as title, description, location, and the visibility options: Public, Private, Unlisted, or Scheduled.

Next, select whether the video is made for kids or not, and if you want the video to be restricted to an adult audience so that it doesn’t show up in certain areas of YouTube.

How To Upload a Video To YouTube Using Third-Party Software

Some professional video editing tools like iMovie allow you to upload a video to YouTube directly from the software itself. Uploading a video to YouTube from video editing software helps you stay focused on your work by uploading your video from the same platform where you created it. 

If you prefer to export your video and upload to YouTube directly, you can still use the browser or YouTube app steps above.

Get Your Message Out To The World

YouTube makes it fast, free, and easy for content creators to upload their own videos and reach a large audience. We hope you were able to upload your video to YouTube using the steps above. Check out our Online Tech Tips channel on YouTube for more personal computing tips and tricks. 

How To Add Texture To Text In Photoshop (Step By Step)

Text is often a tricky element for graphic designers to work with because flat text makes the design look bland. Whether for a logo or layout design, customizing text can elevate the design. There are many ways you can edit text, and one of my favorites is to add texture to text in Photoshop.

When adding texture to text, the options are almost endless. You can choose from various fonts already in Photoshop or download fonts online. Then, you can select any type of texture, whether watercolor, metallic, fire, rust or anything else. Lastly, you can add personal touches to the design, such as adding brush strokes to extend the effect.

How To Add Texture To Text In Photoshop

As with most processes in Photoshop, you can tweak settings and techniques to add your own creativity to the project. Use these steps as a general guide but try the effect with different textures, fonts, and brushes to take this process to the next level.

Step 1: Add Text To The Canvas Using The Type Tool (T)

Once you have created a document the size you need, add your text to the canvas. Select the Type Tool from the Toolbar or press T to add text.

Your text box will likely be filled with Placeholder text to show you the font size and type.

Use the settings in the Options bar to customize the text. You can choose a different font, I recommend you find a bold font, so there is plenty of space for the texture to fit and be visible. 

You can then adjust the font size. Don’t worry about the font color, as the texture will cover the color anyway.

You can then type in your custom text and position the text box on the canvas.

You can edit various elements of the text in this panel, such as the Kerning, Leading, and Tracking. I adjusted the Leading to alter the space between the two text lines and the Tracking to widen the gap between each character.

Customize your text as you’d like to at this stage. This is how my text looks after the various adjustments.

Step 2: Add A Texture Layer Over The Text Using A Clipping Mask

The next step is to add a texture image over the text layer. First, you need to choose the type of texture you want. You can find several free texture images from various sites, such as Unsplash or Pexels.

You can also create your own texture layer in Photoshop in a separate document using different brushes.

The texture image must be on top of the text layer.

You must ensure the texture covers the text on the canvas. If the image layer is smaller than the text, resize it by pressing Control + T (Win) or Command + T (Mac) to open the Free Transform function, then use the corner anchor points to drag and resize the image layer. Press Enter to accept the new size.

The texture is now clipped to the text layer, meaning it’s only shown where the text is.

Step 3: Adjust The Texture Image And Text

You can still edit the text and the overlay as needed at this stage. For instance, if the texture isn’t sitting how you want it inside the text, you can move the layer, so it fills the text better. 

You can use the same transform function as before to resize the texture. You can also use the Type Tool to edit the text as you did at the start or by typing new text in. 

Add any adjustments you want at this point because if you are moving to the next step, you won’t be able to edit the text anymore. I recommend you save a copy of the text layer if you think you may need to edit it later.

If you are happy with the texture and the text, you can leave it as it is. However, if you want to add more to the text, follow the next steps to add or remove bits from the text.

Step 4: Rasterize The Text Layer

To continue the edits, you need to Rasterize the text layer, which means the only modifications you can make to the text after this point are moving or resizing the text.

Next, resize or reposition the text if you’d like. You want to have your text in place before adding the brush strokes.

Step 5: Find And Select A Matching Brush Type

Now it’s time to choose a brush preset to use on your text. I recommend you find a brush that matches the texture you use. For instance, if you added a rust texture, find a grungy brush or, in my case, a watercolor brush.

You can look for more brushes through Adobe to find one that matches your project.

To find more brushes, select the Brush Tool in the Toolbar or press B.

Then, back in Photoshop, open the Brush preset settings again and select Import Brushes this time.

Step 6: Add Brush Strokes Around The Text

To use the new brush(es) on your project, find the brush set in the Brush Picker and open the tab to view the available brushes.

Avoid brushes with an eraser icon in the top right, and choose one with a brush icon instead.

This is where you can get creative with your text by adding various brush effects. First, select a brush and keep the text layer active.

Then, select a different brush and add a few strokes if you’d like. Remember to adjust the brush size and opacity as you go for more dynamic effects.

Step 7: Remove Parts Of The Text Using A Layer Mask

Instead of using two brushes to add more to the text, you can use one brush to add more texture and then remove parts of the text for a different effect. There are two ways you can remove bits of the text.

Start by adding brush strokes to the text, as shown in the previous section.

Option 1: Add A New Layer

Then, use any brush and set the foreground color to white (or whatever the background color of the canvas is). 

Now, use any brush from the set and paint over areas you want to take away from the text. You can use the same brush or a different one. You can also play around with the Brush Opacity to partially remove parts of the text.

Option 2: Add A Layer Mask

Alternatively, you can use a layer mask to remove parts of the text instead of adding a new layer.

The layer mask is white when you add it, and this reveals everything on the layer. To hide everything, ensure the mask is selected, shown by a white border around it, then invert the mask by pressing Control + I (Win) or Command + I (Mac). 

You will notice the layer mask turns completely black, and your canvas is now blank.

Now, you can choose one of the new brushes and set the foreground color to white.

Ensure the opacity is relatively high and the brush blend mode is set the Normal. Some brushes automatically have a different blend mode.

Then, brush over areas of the text on the canvas where you want the text to be visible. You can use a large brush and swipe over the entire text or add random splotches. You now have a dynamic and creative texture effect on your text.

These steps are only a basic guide on what you can do when adding texture to text. You can alter these techniques to create a unique text layout for your project, so don’t be shy to play around and change different settings to see what you can make.

How To Create Duotone Colors In Photoshop (Step By Step)

Creating a duotone image in Photoshop is an impressive way to make your photo pop. This design technique converts your image to only two colors of your choice. The result is a bold, striking picture highlighting the photo’s contrast.

There are two main methods to achieve the duotone effect when using Photoshop, and your method of choice should depend on your strengths. If you are comfortable using selections and masking techniques, choose option one. If you are more confident using gradients, then the second option is best for you.

When creating the duotone effect, a top tip is to use a high-contrast photo with a relatively simple background, as these images will produce the best result.

How To Create Duotone Colors In Photoshop

When adding a duotone effect to an image, you essentially add one color to the highlights and a second color to the shadows. Once you have selected your image and opened it in Photoshop, think about the colors you want to add and get started.

Step 1: Select The Highlights In The Image Using Channels

The first step is to isolate the highlights in the photo to add one color to those areas only. Using channels is a quick and super easy way to select the highlights (or shadows) in an image.

Open the Channels panel, which should be located in a panel tab next to the Layers panel. 

When using the RGB color mode, you will see four color channels: one with all the colors, then separate ones, each showing one color channel, Red, Green, and Blue. You must go through the individual color channels and decide which looks the best.

Your final duotone image will look like the color channel you select, with your two colors added to the shadows and highlights. So choose a channel that matches how you want the final result to look, which will be different for every image.

I like the Blue channel because it offers the most contrast for my picture, and I want a bold final result.

Once you’ve made the selection, you will see that the marching ants select only the highlights on the canvas.

Step 2: Add A Solid Fill Color To The Highlights

Now, you can use any method in the Color Picker to add your chosen color. You can add a HEX code, the RGB or CMYK values, or move the cursor around the color panel to find a color that works best. Since you are working with the highlights, you should choose a light color unless you want an inverted effect.

Move the color around to see a few different results.

Once you’ve selected your color, press OK to confirm your choice and close the Color Picker.

You have now added the color of your highlights to the photo.

Step 3: Add A Solid Fill Color To The Shadows

Adding a solid color to the shadows in the image is even easier since you have already isolated the highlights. Now you just need to add a color that only covers the shadows in the picture. To do this, select the background or image layer in the Layers panel.

The new fill layer will appear above the background layer but below the highlights layer. This ensures that the fill color only affects the shadows since the layer mask above has isolated the highlights.

You can now choose a color for the shadows in the Color Picker. Remember, a darker color works best since you are adding to the shadows.

You have now successfully created a duotone effect on your photo.

Step 4: Adjust The Colors As Needed

Since the process is entirely non-destructive, and your background layer is still intact, you can add any other edits you need and change the colors at any time. 

You can do this as many times as you need to find the perfect color combination for your image.

Using Gradient Maps To Create The Duotone Effect

The second method to create a duotone effect on a photo is using a Gradient Map adjustment layer. This method is even simpler than the previous method and offers a similar amount of control over the final result.

Step 1: Add A Gradient Map Adjustment Layer

Once your image is open in Photoshop, add a Gradient Map adjustment layer by opening the Adjustments panel and selecting the Gradient Map icon, which is the last icon in the list.

Once the Gradient Map is added to the image, the colors on the canvas become the two gradient colors. The colors and gradients added depend on the previous settings used when adding gradients to your projects. You can see the gradient settings in the Properties panel. 

In my case, a black-to-white gradient was added to the image. This shows how the duotone will look, and all that’s left is for me to change the colors. If you don’t have a black-to-white gradient yet, that’s fine. You can change it in the next step.

Step 2: Open The Gradient Editor

The Gradient Editor window opens, allowing you to change all the gradient settings.

First, if your gradient doesn’t have two colors, you can change this to make selecting the two new colors easier. To change the gradient type, open the Basics tab in the gradient presets section and select the black-to-white gradient.

Now, you can move on to change the shadows and highlights colors.

Step 3: Select A Color For The Shadows

To select a color for the shadows, you need to change the black color in the gradient, or if you don’t have a black-to-white gradient, you will change whatever color is on the left of the gradient bar.

Your gradient has the new color for the shadows added to the bar.

Step 4: Select A Color For The Highlights

You can now add the highlights color by repeating the above step using the color stop on the far right of the gradient bar.

You have successfully created a duotone color effect using a Gradient map on your image. 

This process is also non-destructive, as the gradient map is automatically added to a separate layer in the Layers panel.

You can change the colors anytime by selecting the Gradient map layer and opening the Gradient Editor in the Properties panel. Play around with the colors until you find the right combination for your photo.

With each of these methods, you can create the duotone effect in a way that suits your workflow. I personally prefer the simplicity of the Gradient Maps, but if you aren’t comfortable working with gradients, the first option using channels, will be right up your alley!

How To Remove Glare From Glasses In Photoshop (Step By Step)

Photographing a subject who is wearing glasses is difficult, especially for beginners. While there are a few tricks to avoid capturing the glare, such as tilting the glasses slightly, mistakes happen. So whether you photographed a subject and caught the glare in their glasses or you’re a graphic designer and given a photograph like this, here is how to remove glare from glasses in Photoshop.

When faced with a picture that has a glare on the person’s glasses, you face two issues. Firstly, the glare usually turns a different color, such as a green or blue tint. Secondly, the area that contains the glare is lighter than the surrounding areas. Luckily, you can fix both of these problems using the following editing techniques.

How To Remove Glare From Glasses In Photoshop

Removing glare from glasses is slightly different for each image. Sometimes you may only need to correct the color in the glasses. Other times, you’ll also need to remove the reflection from the glasses. Here I detail steps to fix the color, remove the reflection, and touch up any lines left behind from the reflection. Below is the example image I’ll work with today.

Step 1: Open Your Image And Add A New Layer

Once your image is open, you need to add a new layer. You will be adding the correct color onto this layer in the tinted areas, so name the layer accordingly to keep the Layers panel organized.

Step 2: Change The Blend Mode To Color And Select The Brush Tool (B)

Change the Blend Mode of the new layer to Color. This step lets you correct the color where the glare has added different colors, such as white, blue, or green. Changing the blend mode keeps the luminance and saturation the same and only changes the color.

To change the Blend Mode, select the drop-down menu in the Layers panel and select Color.

Then select the Brush Tool (B) from the Toolbar. 

Next, open the Brush Preset Picker in the Options bar and choose the Soft Round brush.

Leave the other settings in the Options bar as the default settings, such as Opacity and Flow, at 100%.

Step 3: Sample Colors And Brush Out The Colored Tint

Ensure that the new layer is still active and zoom into the image to get a better view of the lens glare. Zoom in by pressing Control + + (Win) or Command + + (Mac) as many times as needed.

For larger areas, you can increase the Brush Size by pressing ]. Then decrease the brush size using [ to paint smaller areas.

Keep sampling areas close to the new areas to be painted over. Then paint over the areas to correct the color. 

Since the areas covered by the glare are lighter than the rest, you won’t be able to correct the color at this point entirely, but I will show you how to fix this later.

Fixing the color takes a lot of practice, especially when the tint is blue or green. Keep trying, and don’t worry if you don’t get it entirely right, straight away. You can always continue fixing the color later in the process. However, with practice and patience, you can correct color even when the tint is more prominent, as in the example below.

Before After

Step 4: Select The Glare Area Using The Polygonal Lasso Tool (L) Step 5: Darken The Glare Using Levels Adjustment Layers

Once the selection is complete around the glare, you can add a selective adjustment layer to darken the selected area only. This adjustment enables you to match the lighter glare area with the rest of the image.

The Properties panel appears, where you can adjust the levels of your selection. The adjustments you make here will be different for your image based on how light or dark the glare is and how dark or light the rest of your photo is.

In the Levels adjustment panel, the toggle on the left controls the shadows, the middle toggle controls the midtones, and the toggle on the right controls the highlights.

In my case, I moved the shadows and midtones to the right to darken them and adjusted the highlights to the left to darken the highlights.

Adjust the toggles until you get the area as close to the rest of the subject’s face as possible. If you notice the color you fixed isn’t right, that’s fine. We’ll go back and fix it shortly.

Step 6: Add A Gaussian Blur To The Selections

When the Gaussian Blur dialog box opens, adjust the Radius amount to add blur to the area. Check Preview to see the changes on your image as you move the Radius slider. Don’t add too much blur here. Try to stay around 1 or 2 pixels.

The color is looking better at this stage, but there are still lines on the edges where the glare was. I will show you how to fix those lines soon.

Step 7: Repeat Steps 5 and 6 For Any Other Glare Areas

You can now repeat the last two steps for the other eye. It’s also necessary to repeat these steps if you need to correct other smaller glare pieces.

To recap, select the Polygonal Lasso Tool (L) or your selection tool of choice.

Add a Levels Adjustment layer by selecting the icon in the Adjustments panel. Place the new layer below the Color Correction layer.

Use the toggles in the Properties panel to darken the glare area. 

Repeat this for any other areas with a lot of lens glare. You don’t have to do this for more minor specks of lens glare, as we can fix this up in the next step.

Step 8: Use The Spot Healing Brush Tool (J) To Remove Visible Glare Lines

To fix up the visible lines that mark where the glare was on the glasses, you can use the Healing Brush Tool or the Spot Healing Brush Tool. If you want to control where the new pixels are sampled, use the Healing Brush Tool.

In my case, the areas are relatively simple, and Photoshop’s AI should be able to fix the area correctly. Select the Spot Healing Brush Tool (J) from the fly-out menu.

In the Options bar, ensure that the Mode is set to Normal, Type is set to Content-Aware, and Sample All Layers is checked. It’s essential to have Sample All Layers active as this allows the brush to sample pixels from the background layer to fix.

Now, brush over the areas where the visible line is. Create small brush strokes to prevent Photoshop from over-fixing the area and causing unwanted results.

Continue brushing small strokes around the area until the lines aren’t visible anymore.

Then move on to the other eye and repeat the process.

If you have smaller areas of lens glare that you didn’t touch up with the previous steps, you can use the Healing Brush Tool on these areas to remove the lighter colors.

Once you have fixed up those areas, zoom out of the image using Control + – (Win) or Command + – (Mac) to see how the image looks.

Step 9: Analyze The Image And Repeat Any Steps As Needed

The image should look much better at this point, but it doesn’t have to be perfect yet. In my case, I’m not too happy with the color of one eye. Whether you notice a problem with the Levels or the color, you can move back to that layer and continue editing to get it how you’d like.

I’m going to move back to my Color Correction layer and repeat steps 2 and 3 to get a more realistic color near the corner of the eye.

Once you have finished touching up any problem areas, you have successfully removed lens glare from your image.

Before After

To learn more about removing unwanted things from images in Photoshop, check out these 4 best tools for removing anything in Photoshop!

How To Batch Edit In Lightroom (Step

What do you do when you have 857 photos to edit and only a couple of days to do it? If you said to drink lots of coffee and pull an all-nighter, you really need to read this article!

Hello! I’m Cara and as a professional photographer, I kind of have a love/hate relationship with photo editing. 

Firstly, I love it because editing is the cherry on top. A little dodging and burning here, a little color correction there, and suddenly you have an outstanding image. Plus, four different photographers can take the same image and make four distinct images. It’s awesome!

However, editing is also time-consuming and that’s what I don’t like about it. And there’s a lot of busy work with the same edits that need to be done on every one of those 857 images. 

What if you could make all those basic edits at once! You absolutely can when you learn how to batch edit in Lightroom. Let’s take a look!

Note:‌ ‌the‌ ‌screenshots‌ ‌below‌ ‌are‌ ‌taken‌ ‌from‌ ‌the‌ ‌Windows‌ ‌version‌ ‌of‌ Lightroom ‌Classic.‌ ‌If‌ ‌you‌ ‌are‌ ‌using‌ ‌the‌ ‌Mac‌ ‌version,‌ ‌they‌ ‌will‌ ‌look‌ ‌slightly‌ ‌different.‌ 

Batch Editing with Presets

The quickest way to edit multiple images is to simply apply a preset to a bunch of photos at once. Don’t have any good presets to use? Learn how to make your own presets here.

Once you’ve got your preset ready, it’s super simple to apply it. 

If you want to select all the images currently in your filmstrip at the bottom, press Ctrl + A or Command + A. check out this article for more helpful Lightroom shortcuts.

Step 2: With your selections made, go to the Presets panel on the left underneath the Navigator window. 

Scroll through and choose whichever preset you want to apply to the images. I’ll grab a black and white preset so you can easily see the changes I’m making.

Choose the preset and it will be applied to only the first image. What happened? 

No worries, it’s not done yet. 

Step 3: Press the Sync button on the right under the editing panels. 

This box will pop up asking which types of edits you would like to sync. 

Step 4: Check the boxes (or check all to save time) and press Synchronize.

This will apply the selected settings to all the selected images.

Batch Editing Manually

What if you don’t have a preset and will be making a bunch of changes to the image? 

You can use the same technique. Simply make all your changes to one image. When you’re ready, select all the images and hit the Sync button. 

Another option is to make edits simultaneously. You’ll notice a little toggle switch to the left of the Sync button. Flip this and the Sync button changes to Auto Sync.

Now, any changes you make to any of the selected images will automatically be applied to all the selected images. 

Note: depending on your system, Lightroom can be slow when using this method, especially when using tools that take a lot of power. 

Batch Editing in the Library Module

There’s one other quick method you can use in the Library module. This is handy when you’re picking and choosing lots of images. Instead of scrolling back and forth on the film strip, you can choose the images from the grid.

Step 1: Press G on the keyboard to jump to the Grid view in the Library module. As before, select the images you want to edit. Hold Shift for consecutive images or Ctrl or Command for non-consecutive ones. 

Pro tip: Select the consecutive images first, then select the individuals.

This will open your list of presets. 

All the preset settings will automatically be applied to your selected images.

Making Your Images Awesome

Of course, though using presets saves a ton of time, individual images may still need a few tweaks. Visit each of your batch edited images to see how they look and apply any other edits. 

Yes, you’ll still have to look at each of your 857 images individually, but you won’t have to painstakingly apply the same 24 basic edits to each one. Imagine the time you’ve saved!

Wondering how else Lightroom can help your workflow? Check out the masking tools in Lightroom and how to use them here.

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