You are reading the article New Theatre Production Center Is Up And Running updated in December 2023 on the website Daihoichemgio.com. We hope that the information we have shared is helpful to you. If you find the content interesting and meaningful, please share it with your friends and continue to follow and support us for the latest updates. Suggested January 2024 New Theatre Production Center Is Up And RunningNew Theatre Production Center Is Up and Running Scenery, prop, and costume shops are hives of collaboration
Peek inside the new state-of-the-art Boston University Production Center. Photos by Cydney Scott
For years, BU theater design and production students and faculty made do with facilities at the BU Theatre, where they shared studios with the Huntington Theatre Company’s professional artists. The College of Fine Arts School of Theatre students were easy to spot on the BU Shuttle, hauling their painting tools and oversized portfolios for the two-and-a-half-mile ride to and from the Charles River Campus.
Those days ended at the start of fall semester, with the opening of the new state-of-the-art Boston University Production Center, just across Comm Ave from CFA. The center stands alongside the Joan and Edgar Booth Theatre, whose doors will open in time for the spring semester.
The 75,000-square-foot theater complex, designed by Elkus Manfredi Architects, comprises the 250-seat theater, production and costume shops, design labs, classrooms, faculty offices, and a landscaped plaza. The project was funded in part by the University’s 2023 sale of the BU Theatre, the longtime home of the Huntington Theatre Company.
“In the new building, you have pride of place. Students feel a sense that this place ennobles their work,” says Jim Petosa, director of the School of Theatre, a member of the faculty team that collaborated with the architects on the design. Previously, design and production students didn’t see much of their performance classmates, who work out of the CFA building. Now, Petosa says, “the proximity that they have to each other is stimulating collaborative energies. That’s a direct result of the new building.”
While the outside of the complex and the interior of the theater are still very much construction zones, the Production Center’s scenery, prop, and costume shops are brimming with activity. Students in Diane Fargo’s scenic painting class are working with large canvases in sun-drenched studios, designing a 25-by-50 foot ground cloth that will be a backdrop in an upcoming production. If they choose, they can raise the backdrop in the shop to see it as it would appear on a stage.
“Not having to share the space is huge for us,” says Fargo, a CFA senior lecturer in scenic design. “Students get so much more out of the experience because they can spend the time and spread out as opposed to constantly moving around. They are going to walk out of here with serious experience.”
Facility production manager Johnny Kontogiannis (CFA’02) says the faculty team began thinking about the building process the same way an artist approaches a blank canvas. “We asked, ‘What makes a fully comprehensive production facility?’” he says. “We collaborated to develop a space that was useful and reflected on some of the problems we had in the old building.” For instance, lighting and sound designers had previously worked in separate rooms, but collaboration is now possible with the new sound and light lab, which Petosa describes as a place where theater-makers can create conditions to test the interaction of lighting and sound before bringing them to the stage.
Architect Ross Cameron, an Elkus Manfredi senior associate, says it’s unusual to have such a large scene shop in an urban area like Boston. “In the scene shop, we very purposely included windows and openings in a building typology that is usually just a big metal box,” says Cameron. “If someone’s walking down Dummer Street, they can look in and watch someone painting a scene. None of the building design was whimsical. It’s all driven by giving CFA maximum flexibility in the space.” For instance, a partition wall divides the large room so multiple groups can use it, but it can be pulled back.
He compares the production wing’s layout to a “theatrical assembly line.” First up is the loading dock, where raw materials are brought in. Next comes the fixed tool area, where materials are cut and shaped before the assembled pieces are brought to the paint shop. Sets and backdrops can either take a left into the Joan and Edgar Booth Theatre or be loaded back onto the truck to head to another facility.
“The only limitation is that pieces have to be able to fit in a truck,” says Walt Meissner (CFA’81), BU associate vice president for operations, who is overseeing the project for the University. “So the truck is what’s limiting the size, not the building.”
Faculty team members say they are particularly indebted to Steven Friedlander (CFA’80), president of performing arts planning and design firm Auerbach Pollock Friedlander, who has been the project’s official theater consultant. “His guidance and knowledge helped provide clear communication and a professional knowledge that bridged our faculty teaching-artists and the architecture team,” Petosa says. “Together, they created a state-of-the-art facility that is flexible and flawlessly designed for maximum use and efficiency and offers our students an exemplary place to work and learn.”
Jon Savage, a CFA assistant professor of scene design and head of undergraduate design and production, says everyone is pleased that the University invested in such a facility. “We’re really grateful for the University’s recognition of, and contribution towards, the needs of these students,” he says. “We feel it is a continued investment in us.”
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If when you attempt to power on a VMware virtual machine on your Windows 11 or Windows 10 host machine, and the action fails with the error message The VMware Authorization Service is not running, then this post is intended to help you with the most suitable solutions to the issue.VMware Workstation cannot connect to the virtual machine
When you encounter this issue, you’ll receive the full error message along the following lines;
The VMware Authorization Service is not running.
You’ll encounter this issue mainly due to either of the following reasons;
The VMware Authorization service is not running.
The service does not have Administrator rights.The VMware Authorization Service is not running
If The VMware Authorization Service is not running on your Windows 11/10 PC, you can try our recommended solutions below in no particular order and see if that helps to resolve the issue.
Start the VMware Authorization Service
Provide Administrator Rights to the VMware Authorization Service
Repair VMware Workstation
Contact VMware Support
Let’s take a look at the description of the process involved concerning each of the listed solutions.1] Restart PC
You can begin troubleshooting to fix The VMware Authorization Service is not running on your Windows 11/10 PC by simply restarting your host machine. This action usually resolves minor issues like this. However, if the issue persists after performing the PC restart you can proceed with the next solution.2] Start the VMware Authorization Service
To start the VMware Authorization Service or to check whether it is running on your system, do the following:
Press Windows key + R to invoke the Run dialog.
In the Run dialog box, type chúng tôi and hit Enter to open Services.
In the Services window, scroll and locate the VMware Authorization Service.
Note: The VMware Authorization service depends on the Windows Management Instrumentation service. This service must be running as well. If the VMware Authorization service does not start, or starts and then stops, locate and start the Windows Management Instrumentation service.
But if the VMware Authorization service is already showing a status of Started and the issue in hand isn’t resolved, then the service does not have Administrator rights. Try the next solution.3] Provide Administrator Rights to the VMware Authorization Service
To provide Administrator Rights to the VMware Authorization Service on your system, do the following:
Disable User Account Control (UAC).
Next, assign administrator rights to the user account that runs the VMware Authorization service on the Windows system.
Next, uninstall VMware Workstation
Reboot the host machine.
On boot, log in as a local administrator (not as a domain administrator).
Finally, download and reinstall the latest version of VMware Workstation on your PC.
The issue in view should be resolved now. Otherwise try the next solution.4] Repair VMware Workstation
This solution requires you to perform a repair upgrade to fix the problem. A repair upgrade is a process of installing VMware Workstation over the existing one on your hard disk, using your installation package file. The procedure if successful can repair broken operating system files while preserving your personal files, settings and installed applications.
To perform a repair using the original VMware Workstation installer, do the following:
Download the VMware Workstation installer.
On boot, the issue should be resolved. If not, try the next solution.5] Contact VMware Support
Hope this helps!
Related post: How to fix VMware Internal Error while powering on.Why is my VMware not working?
If VMware is not working on your Windows 11/10 host machine, it could be due to a number of reasons. Generally, to fix the issue, you can shut down the virtual machine, then restart your Host Machine. After your host machine reboots, reopen the Workstation. Download and reinstall VMware Workstation. This ensures that you have the most recent version and that any missing or corrupted virtual network settings are replaced/repaired.Will VMware run on Windows 11/10?
VMware Workstation runs on standard x86-based hardware with 64-bit Intel and AMD processors and on 64-bit Windows or Linux host operating systems. VMware Workstation Pro and Player run on most 64-bit Windows or Linux host operating systems.
If Chrome is slow and underperforming, some elements such as the extensions or browsing data might get in the way.
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Is Chrome running slow on your computer? Do you want to speed up this browser? Go through this article to find the most helpful information.
Google Chrome is the browser of choice for many because of its features and compatibility. It is one of the fastest and safest browsers out there for various purposes like casual browsing, news reading, or anything.
However, Chrome is also fairly system resource heavy, which can slow browsing down considerably on more outmoded desktops and laptops.
If you notice that Chrome browser is running slow on Windows 10/11 PC, it can be a very frustrating matter for you. It is because you may be using this browser for professional reasons.Why is Google Chrome so slow all of a sudden?
While surfing the web or doing anything on Chrome, you may suddenly find that it has become very slow and useless. It happens due to the following reasons:
A Chrome tab has crashed
There is been any change in the extensions
Your computer has suddenly launched a service in the background
Chrome is not up to date
You may find some other reasons too. But, these are the most commonly seen things that hurt Chrome user experience more.
Does my Chrome need an update?
Chrome or any web browser should always be up to date. Even though the modern applications update themselves automatically, sometimes, you may need to give manual effort as well. You may find it very slow when there is a pending update and Chrome needs to restart.
If you continue using an outdated version of Chrome, it may run slow and freeze frequently. You will often see that the browser is lagging while surfing usually.
However, if Chrome is off the pace, trying out the methods mentioned below will surely help.Quick Tip:
If you’re tired of Chrome’s lackluster performance, consider switching to Opera One, and enjoy a speedy, lightweight, and secure browsing experience that will make it worth your time.Whether you notice Chrome is running slow on PC, Mac, Linux, Android, iPhone, or even iPad, you can consider using the Opera One browser.
Opera One makes your browsing experience more secure with it’s built-in VPN, Ad blocker and AI. The browser brings features that help you stay organized like workspaces, tab islands and more.
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Free Download Visit websiteHow do I make Google Chrome faster again? 1. Cut back Chrome extensions
Disabling unnecessary extensions will fix Chrome running slow issue not only on Windows but also on Mac and Linux.2. Clear your browser’s data
You can also perform this task automatically by using specialized optimization and clean-up software.
The PC optimization tools free up space, clear your online tracks, including your browsing history and cache, and speed up your system.
Thus, in case you need to clear up your browser data instantly and even increase your internet speed at its peak, invest your time in the best memory cleaner software on the market.
As one of the best programs for this purpose, we gladly suggest CCleaner, which does complete routine maintenance.
CCleaner can remove any unwanted files left by applications, as well as surfing history, cookies, recycle bin, memory dumps, file fragments, log files, system caches, and application data.
With the ultimate cleaning program for Chrome, you can become the master of your browser and make it perform smoothly and swiftly.
If Chrome is running slow on your Windows 10 or 11 PC like a surface laptop or a desktop computer, this cleaner tool can save your day by doing a lot of things automatically.
⇒ Get CCleaner3. Turn on Chrome’s Prefetch option
Using the Chrome address bar, go to the following location: chrome://settings/cookies
Toggle on the option Preload pages for faster browsing and searching.
Relaunch Chrome.4. Switch to another browser
The majority of us use Chrome. It’s the leading browser in the market provided by the largest tech company in the world.
But, considering the alternatives, you have more than a few reasons to cop out and go for something lighter and more privacy-oriented than Google’s flagship browser.
Our recommendation is Opera which, all things considered, ticks all the boxes.
And that’s merely the tip of the iceberg when it comes to accelerating your browsing.
Opera’s fully customizable UI allows you to work with shortcuts, joggle with multiple tabs, and easily find your way through them thanks to the tab previews or tab menu, and of course, access your favorite sites quicker than ever through the Speed Dial feature.
Opera also has a free in-built VPN that keeps your identity private and allows you to access geo-restricted websites and services. Along with that, it supports the picture-in-picture/video pop-out feature that helps you to watch videos from a website on a different tab or application.
Other features of this browser include an integrated snapshot tool, a speed dial separate tab, and support for quick access to instant messaging apps and social media.
⇒ Get Opera5. Remove images from websites
Go to the following location on Google Chrome: chrome://settings/content/images
Check Don’t allow sites to show images.
Relaunch Google Chrome.
Ads are another thing that can considerably slow down browsing. Ads are similar to images as they add lots of extra content to pages.
The uBlock Origin adblocker is one that you can add to Google Chrome. The good thing about the uBlock extension is that it’s more system resource-efficient than other alternatives.
The extension also blocks pop-ups and other media elements on website pages.7. Enable hardware acceleration
Go to the following location: chrome://settings/system
Toggle on Use hardware acceleration when available.
Restart Chrome8. Enable Closed tab cache
Using the address bar, go to the following location: chrome://flags/#closed-tab-cache
Now, enable the Closed Tab Cache.
Relaunch the browser.
Enabling this feature will help, particularly if Chrome becomes very slow after opening a closed tab.9. Don’t open too many tabs
Tab overload can also slow down the Chrome browser. This will usually happen if you open more than 10 pages at a time.
Each of those tabs needs some resources, and Chrome’s Task Manager highlights that open page tabs can hog more RAM than extensions. Thus, Chrome runs faster with fewer tabs open.
There are numerous tab management extensions that minimize the number of tabs open in Google Chrome.
OneTab is an extension that enables you to preserve RAM by moving pages to an inactive tab list from which you can reopen them when required.
Each of those tips should speed up your Chrome browser a little more. Now you can browse through website pages somewhat more quickly than before.What is the Chrome Cleanup Tool?
The Chrome Cleanup Tool is an excellent program from Google that helps to identify the harmful programs that cause various problems to Google Chrome. This program also can remove these programs automatically.
In general, this tool finds potentially unwanted programs (PUP), adware, malware, and many other harmful programs on your PC.
How to use Chrome Cleanup Tool?
Go to the following address on your Chrome: chrome://settings/cleanup
It will automatically start scanning for harmful software and clean them.
Google recommends you to use this tool when you face unwanted problems on Chrome.
This article has featured the best methods to fix the Chrome running slow problem. To further boost Chrome, check out some of these extensions.
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Nintendo acquires land to build a new development center in Kyoto
Nintendo looks to boost first-party development
Based in Kyoto, Nintendo has been working from Kyoto, Japan since they were founded. Now, the company is looking to expand their offices in Kyoto through the acquisition of land previously owned by Kyoto, which was used as a Foundation Support Factory, in addition to a Disaster Prevention centre in the past. Nintendo seldom opens up new studios, and one that’s so close to its main headquarters means that the company is investing further into its local development, which of course is where titles like The Legend of Zelda, the Super Mario franchise, in addition to many more are created in support with other services and software development that Nintendo might wish to work on.
The site is around 10,000 meters square, and Nintendo will be acquiring the land for around $39.8 million USD, or ¥5 billion. The company has already named the site as being ‘Corporate Headquarters Development Center Building No 2’, which is not really one of the fanciest studio names that we’ve heard. But, in true Japanese fashion, it’s purely utilitarian. The building is pipped to be equipped with 12 floors and be completed by the end of 2027 at the latest. Nintendo states on their corporate website that the studio will ‘carry an important role in reinforcing R&D’.
This is a part of a larger initiative by Nintendo to build more offices in Kyoto. According to Nikkei, this comes as a part of their expansion, which strives to bring more development of Nintendo titles in-house, rather than having to rely on external resources. Another development centre will be rented from two floors of the Kyoto City Waterworks Beaurau building in May 2023, where Nintendo hopes to be fully operational in May 2023.
Due to the popularity of the Nintendo Switch, the company is looking to spend around $880 million USD on expanding game-dev resources, and a further $440 million USD for enhancing ‘non-game’ entertainment like movies, and presumably extravagance like Super Nintendo World, as stated in a Management briefing, according to VGC.
Why does Nintendo want to bring more development in-house?
Simply put, Nintendo was not anticipating the rocketing success of the Nintendo Switch. During the lifecycle of the console, Nintendo released many titles from mainstay franchises like Super Mario Odyssey, The Legend of Zelda: Breath of the Wild and a remixed version of Mario Kart 8 in the form of Mario Kart 8 Deluxe. Since those projects have now been long released, they are actually looking at an extended lifespan for the Nintendo Switch itself, due to the sheer number of consoles that have been sold since its launch in 2023. Though it’s already five years old. Both first and third-party software support for the system is still ongoing.
Nintendo themselves are keen to show off new titles like Advance Wars and the recently-released Kirby and the Forgotten Land. Additionally, to support this there are rumours circulating about a Nintendo Switch Pro, which comes after the release of the Nintendo Switch OLED model which featured an enhanced screen, smaller bezels and more.
In a sales call, president Shuntaro Furukawa stated that the Switch was in the ‘middle’ of its lifecycle and that the console would be ready to ‘break a pattern of our past consoles that saw momentum weakening in their sixth year in the market and grow further’. This is why we’re seeing titles like The Legend of Zelda: Breath of the Wild 2, in addition to other upcoming first-party titles on the horizon.
Nintendo has a storied history with first and third-party support, but they are clearly looking to throw more weight behind the Switch in order to retain the enormous install base of users for as long as possible through various retention methods, one is the Nintendo Online subscription, which now offers further content in titles that you might already own, and another is to ensure that there is a steady pipeline of new games to play on the platform that still offer great performance on what is now a fairly aged system.
Nintendo needs to shake up first-party development, and fast.
While Nintendo is indeed one of the greatest creative forces in the industry, they still rely on second-party development houses like Monolith, who is presumably again assisting the developer with the creation of The Legend of Zelda: Breath of the Wild 2 in addition to the development of their own title in Xenoblade Chronicles 3. It’s a bit of a mystery as to why Nintendo has not all-out acquired Monolith due to their assistance with their internal software development yet.
But, with the generation of the Switch looking longer than Nintendo’s usual life cycle, they need to pour even more resources into ensuring that there is more software for the Switch that users will flock to periodically. This is reflected through the diversity in their first-party development. For example, occasionally Nintendo relies on external studios to carry what are originally in-house projects such as Metroid Dread, which is a first-party Nintendo published title, but was actually developed by Spanish Studio MercurySteam, who was previously known for developing titles like Castlevania: Lords of Shadow, in addition to Metroid: Samus Returns on the 3DS, as well as Castlevania: Lords of Shadow – Mirror of Fate.
Additionally, we saw Nintendo announce titles that have still yet to see the light of day like Metroid Prime 4, which was originally announced at E3 2023. It was through that Nintendo was developing this alongside Bandai Namco Studios, however, this didn’t go to plan, and Nintendo switched the development studio over to Retro Studios around 2023, meaning that the game had to essentially reboot its development. Now, in 2023, we’ve still not seen any footage from Metroid Prime 4, despite being announced almost five years ago.
The Metroid Prime 4 situation is emblematic of why Nintendo needs to build stronger first-party studios, so they can bring that development in-house to develop their own first-party titles instead of essentially acting as a publisher for first-party franchises, developed by external studios, which can cause delays, issues and more, exemplified through the fact that we’ve seen very little from Metroid Prime 4, despite being announced five years ago.
Hopefully, expanded premises allow the company to expand, and build stronger development pipelines for the company, so they can bolster their own first-party output, instead of having to rely on support studios to develop excellent first-party titles.
Sun Microsystems Tuesday said began shipping CDs of the latest version of its Clustering Software as a prelude to the launch of the company’s biggest projects this year.
The Santa Clara, Calif.-based network computer maker said it has reached the crucial version 3.1 of its software framework. A key component of the company’s SunPlex environment, Sun Group Marketing Manager Jim Sangster says the new software is designed to deliver high-availability application services to the data center or enterprise.
“Our previous versions before Sun Cluster 3.0 were based on it being a software addition. What we have now is a solution integrated in the kernel itself,” Sangster told chúng tôi “We’ve had various clustering items for quite sometime now. Previously, we have had a focus in the availability and the High Performance Technical Computing aspects of clustering such as our Grid software. This version is specifically designed for commercial-grade platforms like Oracle 9i or IBM DB2. With 3.1, we’re moving specifically down the path of high performance.”
Most notable is the addition of five new agents – HA IBM WebSphere MQ; HA IBM WebSphere MQ Integrator; HA SAMBA; HA DHCP; and third-party agent IBM DB2-HA. All of these agents support security hardening.
The software versioning framework also taps into the Solaris 9 Resource Manager (S9RM) platform for consolidation, resource control, IO assigned to users or groups of users, and to control off-site nodes and lets customers upgrade from Sun Cluster 3.1 to later releases without having to shut down the entire ring.
The Cluster Software is the latest piece of Sun’s arsenal that it is getting a makeover as the company migrates to a quarterly software release model. But more significant for Sun is the place it holds in the major product releases due out this year: N1 and Orion.
“Provisioning is certainly a large part of version 3.1,” Sangster said. “You’re going to see more HA [high availability] aspects coming from Sun in the future. You’ll see it the form of the databases that have started with it. You also see it in the newer application servers and some of the more traditional app servers.”
The Cluster Software’s pricing, while novel has also been tweaked for Sun’s billing framework: Project Orion.
Instead of metering or bundling, the software takes very traditional approach of charging per physical server box ranging from $1,000 for one to as much as $100,000. Multiple domains are not counted. In most cases, Sangster expects licensees to commonly use it on big box servers with multiple processors.
That way, he says, the software can be provisioned to one server, big banks of blades or to a cluster without worrying about tracking down how much time was spent on each node.
Sangster said the improvements in Sun Cluster Software version 3.1 is also one of the first steps toward migrating a system to Sun’s upcoming Solaris 10 release, which is due in the fourth quarter of next year. The first versions of the release are expected to let you build a volume to a petabyte and using partitioning run a file system on each of those volumes up
A handful of customers already have had the beta update in their hands and now that testing is finished are announcing support this month, such as French-owned video-on-demand firm Canal + and Japanese-owned CTC. Sangster said a major yet-to-be-named partner is also preparing a nod towards the new cluster software.
Macworld Expo without Apple is a smaller, lower-key affair, but that hasn’t kept Apple enthusiasts from attending the show. The show floor is as packed with attendees as ever, despite Apple’s absence. And in a sense, the lack of Apple isn’t such a bad thing, as it lets the show’s focus shift from the giant Apple booth to smaller vendors, some of which had impressive wares.
As you might expect, most of the products are Mac-only, but they’re interesting and unique enough that any geek will appreciate them. Here are a few apps and gadgets that caught my eye during a day on the show floor.Inklet: Turn Your Trackpad Into a Tablet
Inklet is a software add-on for Mac OS X that lets you use the multitouch trackpad on recent Apple notebooks as a graphics tablet. To use it, hit the designated hotkey; a drawing area will appear on your screen. To draw, you can either use your fingertip on the trackpad, or use the Pogo Sketch stylus ($15). In my brief hands-on, I found it a little awkward to use, so you’ll probably experience a bit of a learning curve. The Inklet software costs $25, but you can download the trial from the Ten One Design site.GameSalad: Develop Games Without Learning to Program
GameSalad is a developer tool that makes it possible for anyone to create a game without having to learn how to write code. It uses a drag-and-drop interface similar to that used in Apple’s Automator scripting software.
Drag in an image–a space ship, for example–then add in “rules” which tell it how to respond to your interaction. In a brief demo, I dragged in a spaceship image, then assigned rules which told it to turn left when I pressed the left arrow key, and right when I pressed the right-arrow key.
Using GameSalad, you can create games for the iPhone and iPod Touch, Mac OS X, and the Web. The (Mac only) development kit is a free download from the GameSalad site, though you’ll need to pay an annual fee to create and publish iPhone games (fees start at $99 per year). If you’re less interested in buiding games and more interested in playing them, see the GameSalad games browser.Djay: Remix Your iTunes Library
Are you a DJ or music enthusiast? If so, you may want to look at Djay. This $50 Mac application lets you remix music directly from your iTunes library. With it you can mix multiple songs, “scratch” the virtual records with the trackpad, or create an “automix,” which will automatically mix your music. Djay also works with the Vestax Spin controller, a $250 MIDI controller available through the Apple Online Store.Tunebug Shake: Turn Your Bike Helmet Into a Speaker
The Tunebug Shake is a portable Bluetooth speaker that’s similar to the Kerchoonz K-Box: It turns the surface it comes in contact with into a speaker. In the Shake’s case, the surface in question is your bike helmet. The Shake comes with two mounts: The Gecko Mount for skater and snowboard helmets, and the TuneStrap mount for more typical bike helmets.
You can preorder the Shake–and its sibling, the Vibe–from the Tunebug site. The Shake costs $120, while the Vibe–effectively a corded version of the Shake–costs around $70.
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