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Google maps is synonymous with directions: it is difficult to recall a time before we’d Google Maps available at our hands and needed to find our solution for ourselves or even utilize an old-school newspaper map.

However if we think of Google Maps — the navigation, the trapped services — it’s quite often an older variant of this program that springs into mind. Google Maps has evolved, and with it are a plethora of new features that lots of users have neglected to research.

The original Google Maps

Google Maps was released in 2005, and in the intervening years has been the standard for digital mapping solutions. A year after, the technology giant came with Street View, which has been among the products most famous characteristics, and definitely it’s most contentious. Among the largest influences it had for Google was that the business no longer needed to rely on third parties because of its own information, and that is if Google Maps actually grew into something larger than was envisaged.

Apple vs. Google

The coming of Google Maps on Apple’s first iPhone in 2007 was yet another significant turning point, and also the times when Google and Apple publicly transitioned appear long past. These times they’re bona fide competitions, along with the growth of Apple Maps in 2012 was a substantial stage in electronic mapping background, also saw the close of the cooperation between both tech behemoths.

The ancient Apple Maps was successful, and the ancient version was user-unfriendly concerning bugs which present Apple CEO Tim Cook has been forced to make a public apology. These bugs were soon smoothed out, however, and now it’s very much a real rival for the distance provided that monopolized by Google Maps, and naturally is the norm all Apple products, which immediately spilled Google Maps upon the evolution of Apple Maps.

Apple Maps isn’t the only equal, as other workable third party offerings like Citymapper — that really uses the mapping information as manufactured by Google — compete to its electronic map viewers, which can be high on everybody using a smartphone. That’s a massive number of possible users, and also the basic reason why there are several different programmers battling for recognition in this lucrative area.

Microsoft got in on the action with Bing Maps, which really raised the bar in regards to these features because the now-famous upper aerial shot, enabling structures to be looked at from a 45-degree angle, for instance. Nokia is just another supplier who proceeds to build top quality maps, also sells into a range of prominent organizations, such as Garmin, whose goods are used in the sports industry, carmakers like BMW, as well as Amazon. They’re a few profitable contracts.

Also read: No Plan? Sitting Ideal…No Problem! 50+ Cool Websites To Visit

Google Maps today

As the world evolves afterward, so does the world of digital mapping, and thus does Google Maps. Among the latest improvements to this service has become the capability to guide message the companies that attribute on Google Maps, provided that they use Google’s ‘My Company’ function. The ability to talk directly with companies via instant messaging may interest many — to get a beginning it provides the chance of requiring information that’s not on the company’s site or that folks aren’t ready to phone for hold off.

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The Evolution Of The War On Terrorism

The Evolution of the War on Terrorism Former CIA counterterrorism head says United States must reach out to friends — and enemies

Former CIA head of counterterrorism Cofer Black speaks to law students. Photo by Kalman Zabarsky

J. Cofer Black is a lot of things, depending on who’s doing the describing: a legendary CIA agent who helped bag notorious terrorist Carlos the Jackal; an architect of the U.S. invasion of Afghanistan, in 2001, and the overthrow of the Taliban; a key player in the U.S. rendition and secret prison programs; an executive at an American security outfit accused of running roughshod in Iraq.

On Monday, Black was at the School of Law, talking to students at a luncheon hosted by the University’s National Security Law Society, a law student group.

In a packed room, he gave a rundown of his three-decade career with the CIA and the U.S. Department of State and talked about the evolution of the government’s attitude — legal and otherwise — toward terrorism since the collapse of the Soviet Union in 1991.

Black, who has a master’s degree in international relations from the University of Southern California, joined the CIA in 1974. He is credited with collecting the intelligence that led to the 1994 capture of notorious Venezuelan terrorist Ilich Ramírez Sánchez, also known as Carlos the Jackal.

In 1993, Black was assigned as CIA station chief in Khartoum, Sudan, where relations with the United States were strained over the African country’s sponsorship of terrorism. At the time, al-Qaeda leader Osama bin Laden had found a safe harbor there and had even targeted Black for assassination because of his pursuit of information on terror cells.

After the end of the Cold War, the U.S. military became focused on state sponsors of terrorism, such as Libya and Iran, and regarded the actions of loosely affiliated and nongovernment-backed groups a law enforcement issue. Al-Qaeda was not a top priority, Black said, as evidenced by the meager funding, resources, and personnel allotted to it.

In 1999, CIA Director George Tenet appointed Black director of the agency’s Counterterrorist Center. Black said the millennium plot to bomb Los Angeles International Airport in December 1999 marked a turning point in the official attitude toward terrorism. He and his team had warned that there was an 80 percent chance that the United States would be attacked, and to “its significant credit,” he said, the Clinton administration took action. A Canadian border stop of one of the plotters netted a trunkful of explosives. But then Clinton exited the political stage. “As they were walking out the door,” Black said, “they got it, big time. It took them eight years to get it.” The new Bush administration, while more focused on terrorism, was not fast enough, he said.

“In my view, we have not emphasized enough our contacts and relationships with our friends, and to some extent our enemies, overseas,” Black said. “This has to be a cornerstone of how we do our business. We need to be perceived as the kind of people that we are, not as how we are presented in the media. I’ve been very pleased to see how our new administration has been received overseas. We’ll have to follow this up with constructive actions. We all support Obama, and there are challenges out there besides financial. There continue to be terrorists.”

After speaking, Black took questions from the audience. Michael Sloan (LAW’10) asked, “In your opinion, should CIA interrogations be limited to the methods within the Army Field Manual?”

Black responded by asking audience members how many waterboarding interrogations they believed the CIA had conducted: “300? 3,000? 30,000? And remember, the criteria is people who have killed Americans, who say they’re going to kill Americans, or have knowledge of plans to kill Americans.”

Black’s answer: “There were three.”

For security agencies, he said, “there should be some ambiguity. Ambiguity can be helpful,” to avoid giving terrorists an interrogation playbook. He pointed out that 61 of the released Guantanamo detainees have resurfaced as terrorists and have killed at least four U.S. soldiers. “I would really never want to be in the position to see these soldiers’ mothers,” he said.

“I do believe our counterterrorism techniques have become increasingly more effective,” Black said. “I think we’re in much better shape now than certainly we were during the 9/11 period. It’s taken a lot of time, a lot of people, the expensive creation of new agencies. But I think we’re on the right track.”

Black ended by urging students to start their careers in the field of service, to do “something that is primarily for somebody else and doesn’t involve how much money you can make. In the end, it’s not how much your car costs, but what you walk away with.”

The National Security Law Society at BU’s School of Law seeks to promote democracy and the rule of law, as well as nonpartisan discourse on U.S. national security policy and foreign affairs. Among the society’s areas of interest: the separation of constitutional powers between the president, Congress, and the courts in the national security field; international and domestic legal constraints on the use of force in international relations; legal issues raised by the global war on terror, including the use of civil litigation; and the promotion of democracy and the rule of law.

Caleb Daniloff can be reached at [email protected].

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Lumenswap Is The Evolution Of A Revolution!

Before DeFi, no one would think that we can have a financial network together, without the help of credible organizations. A network where everyone has equal opportunities and access to resources. Where everyone can play a significant role and provide or use pair-to-pair services, gain profit, or pay for other services.

With the emergence of applications such as Compound, Maker, or Uniswap, the revolution entered a new phase. However, because of the rapid growth of users and demands, and the lack of scalability of Ethereum, the usage fee of these applications quickly skyrocketed. The fees are so high that as of April 20th, 2023, the fee of one transaction on the Ethereum network is about 32$.

This increase in fees stripped away the industry from its core essence, which was being accessible for everyone. A lot of users are not capable of paying a 120$ fee for a simple transaction. This led the scene to become more and more accessible and open for other less welcomed individuals such as crypto whales.

After some time, this issue got resolved thanks to the Binance Smart Chain which increased the liquidity rates of some dapps such as Pancakeswap and Venus.

But soon, a new issue decided to show itself: Lack of distribution and decentralization. Not just anyone can become a validator on the Binance Smart Chain network. Only 21 people can validate the transactions. Needless to say, this is completely against the essence of DeFi.

Right now, you might say that Mr. CZ, the manager of this network, is a trustworthy person but as I mentioned at the beginning of this article, we are experiencing a revolution right now. A revolution where we want not to be dependent on one single individual or organization.

So, two main issues are slowing down this revolution: 1. Scalability  2. Distribution

Is there a scalable, open-source, distributed, and decentralized network with low fees that we can use? Yes. The Stellar network.

By benefitting from the quorum slices model, Stellar can handle thousands of transactions per second. This means a suitable platform for performing financial operations and transactions.

But what’s Lumenswap’s role in all of this?

Lumenswap is the decentralized exchange and an open-source client for the Stellar network that allows you to swap and trade assets on the network using a friendly, minimal interface.

Lumenswap seeks to bring the DeFi industry into the Stellar space in order to familiarize users with inherent features of the Stellar network, such as high speed and low fees.

These features allow us to perform financial related operations of the application (such as distributing rewards, providing liquidity rates, etc) with ease and have a stable DeFi-based application.

Lumenswap has come up with two reward plans in order to help to build a dynamic ecosystem and a financial network where everyone can contribute and play a role in its development. If you look at the tokenomics of Lumenswap, you can see that they have allocated about 40% of their own assets (which make up a large portion of our total supplies) for rewarding our contributors and community.

So they need a scalable and low-fee network to distribute these rewards, they might need to distribute them between thousands of addresses. Thankfully, the cost of completing about 100k transactions on the Stellar network is only about $100.


You cannot give small rewards to your community on the Ethereum network. For example, to distribute only 25$ between 100k people, you’ll need at least $50k. And if you try to complete the transactions through smart contracts, the fee would become more expensive than the reward which would not make sense.

All of these rewards have one single goal: Instead of just crypto whales, They like to allow everyone to be part of the economic cycle of the application.

The Lumenswap team released the Tokenomics and roadmap of LSP asset (Lumenswap native asset) a few days ago and, according to the article, they will hold an auction on their platform in the next few weeks. If you are interested in participating in it, follow them:

The Evolution Of Art, Fiction, Movies, And Music

When asked about our leisure time activities, more than half the population will answer something in the context of the entertainment world. However, compared to our forebears, what might their sources of pastime be? This question triggers an idea of whether the emergence of the entertainment world also followed a particular lineage.

An Overview

Why do humans participate in an array of things that do not appear to have anything to do with surviving and procreating? Why do people spend many hours, weeks, seasons, and even decades producing and enjoying music, books, visual arts, and athletic events? These ostensibly “frivolous endeavours dominate some people’s complete life.” These trends necessitate a rationalization. To solve these conundrums, evolutionary psychologists have used two main strategies.

Display Hypothesis

The display assumption could be used to describe the first strategy. This theory holds that culture is “an endogenous entity originating from sexual rivalry amongst enormous quantities of people pursuing diverse breeding tactics in various mating venues.” To disseminate courtship demonstrations to a range of women, men notably often produce and exhibit musical and artistic works: “As every adolescent recognizes and most academics abandon, cultural presentations by males promote sexual availability.”

The display theory can also explain how old different cultural displays are. Young adulthood is the phase when men are incredibly passionately immersed in intrasexual partner rivalry, and men produce many critical artistic pieces and songs during this time. In summary, the display theory explains the dispersion of ages and sexes in culture creation.

However, the display hypothesis cannot account for other literature, music, and art aspects. This cultural product’s essence cannot be explained to start. Why do some songs move people while others fail to do so? Why do some people find Shakespeare’s plays to be enthralling while finding many other playwrights’ works to be tedious?

Why do some films garner millions of viewers while others become forgotten? The substance of cultural objects, not only their age, must be explained by a coherent theory of culture. Secondly, the display thesis cannot explain why some people spend excessive time alone appreciating musical and literary artwork in settings where no exhibit is visible.

Evolution of the Mind

Pinker offers a broad, if dubious, solution to these conundrums in a second attempt at clarifying culture. He contends that the solution is found in the mind’s developed processes for various purposes rather than distinct modifications for artistry, music, and literature that “enable individuals to delight in shapes, colours, melodies, humour, tales, and mythologies.”

For example, paintings that mirror these patterns can pleasingly trigger a colour vision system created for detecting ripe fruits. Artwork, portraits, videos, and websites can use psychological inclinations for indications to pregnant females to enjoyably recreate the rhythms the processes were initially designed to respond to and sought for.

Art, entertainment, and language can be constructed to “juice” several evolved psychological systems, much as stimulants can be made to “juice” our dopamine receptors. Humans have mastered activating already-existing mechanisms artificially by creating cultural artefacts that imitate the stimulus whereby the circuits were initially conceived. In other words, these cultural practices are nonadaptive consequences rather than adjustments. Pinker presents an identical case for music, speculating that it is audible tiramisu, an exquisite treat made to tease at minimum six of our senses.

These cognitive capacities encompass linguistics (such as music lyrics), aural scene assessment (where we must distinguish between sounds that originate from different places, as a bird cries in a loud environment), affective cries (such as whimpering, wailing, moaning, clamouring, and applause are metaphorically used to define melodic passages), habitat choice (such sounds as lightening, moving water, snarls, and more can indicate secure or dangerous surroundings).

Furher, motor coordination (such sounds as the groove, a ubiquitous element of tunes, imitate the motor function required for a wide range of activities, such as running and slicing, and signal characteristics like immediacy, sluggishness, and assertiveness). This hypothesis states that the musical patterns we enjoy are the ones that artificially imitate the organic stimulation our developed brains are wired to process.

One may have a comparable case for novels and films. Comedy and tragedy-themed language, plots, and stories can elicit pleasure feelings by engaging a variety of evolved circuits. It is likely no surprise that the most popular books and films, like Avatar, About Time, and Titanic, feature themes of intrasexual struggle, mate selection, romance, and potentially destructive antagonistic natural forces.

Over the past decade, the evolutionary psychology examination of the media, including movie and literary works, has exploded to the point where complete publications are now dedicated to these subjects. Analyses that go deep imply that evolutionary psychology can influence creative activities as various as the intricacies of cinema to the lyricism and politics of British literature.

Although it does not provide a conclusive statement on these cultural embodiments, using an evolutionary prism has revealed novel insights into areas previously believed to lack the principles of evolution that elucidate human nature.


As with everything else, the entertainment sector changes over time. The preferences and standards of the populace at any given moment significantly impact what is created and popularized. The current state of technology is another factor. These changes have an impact on film, television, and music. Even though they might seem inconsequential at the time, examining generations of entertainment uncovers essential developments.

Naturally, particular objects have endured the test of time, but their uses have changed. Entertainment has become much more frenzied, moving from having various songs to appeasing crowds everywhere. Our entertainment evolves alongside our preferences and will continue in the hereafter to reflect whatever the shared values at the moment.

How To Save A Route On Google Maps

Google Maps can get you from point A to point B (or C, or D) in many different ways. Most people search for routes on the fly, but you can also save them for convenience, and access some routes offline. Let’s go over how to save a route in Google Maps.


To save a route in Google Maps for Android or iOS:

Open Google Maps. While connected to the internet, enter your route into the Search here field, including starting, end, and any mid-points.

At the bottom, tap Pin to pin the route to the Go tab in Google Maps. Alternatively, you can select the ⋮ button in the top-right corner and, from the dropdown menu, select Add route to Home screen. That option isn’t available on iOS.


Saving a route in Google Maps on iPhone or Android

Saving a route in Google Maps using your computer

Using routes and directions offline

How to save a route in Google Maps (Android and iOS)

Currently, saving a route on Google Maps entails “pinning” a recommended route, or on Android, adding a route to your homescreen. This doesn’t automatically allow you to access your route or directions offline. To see routes when disconnected from the internet, you need to download an offline map that encompasses your starting location and destination.

How to pin a route in Google Maps

Ensure your Android or iOS device is connected to the internet, then open the Google Maps app.

Enter your destination in the Search here field, then complete your route by choose a start point and any midpoints.

Select Directions and make sure your method of transportation is Driving. Pinning doesn’t work for Transit, Walking, Rideshare, or Cycling, at least not yet.

In the bottom bar, where it shows how long it will take to get to your destination, there should be three buttons: Start, Steps, and Pin. Select Pin to pin this route to the Go tab in Google Maps.

Add route to Home screen

Curtis Joe / Android Authority

If you’re on Android and you want even quicker access to your most-frequented routes, you can make them appear on your homescreen. To do this:

Ensure your Android device is connected to the internet, then open the Google Maps app.

Enter your destination address in the Search here field. Fill out the rest of your route as well.

Press the ⋮ button in the top right corner, and, from the dropdown menu, select Add route to Home screen.

Long-press the icon in the middle, and then you can drag and place that icon anywhere on your device’s homescreen. There’s also an Add automatically option.

Send directions to your email inbox

Curtis Joe / Android Authority

Another way to save your route is to email your route’s directions to yourself. To send directions to your email inbox from the Google Maps app:

Ensure your Android or iOS device is connected to the internet, then open Google Maps.

Enter your route using the Search here field.

Press the ⋮ button in the top right corner.

From the following dropdown menu, select Share directions; this will open the Share popup.

Curtis Joe / Android Authority

How to save a route in Google Maps (PC and Mac)

You have three options for saving routes in Google Maps via your computer. You can send the route to your phone, share it, or print it. When printing route directions, you’re given the option to include the map, or text only.

On your computer, open a browser. Go to the Google Maps website.

Using the Search Google Maps field, enter your desired destination.

Choose your starting point. You can also use Your location as the starting point by allowing Google Maps to access your location.

Choose your method of transportation: Driving, Transit, Walking, or Cycling.

Paste the link wherever you’d like to save it. You can email the link to yourself by going to your email client, starting a new message, addressing it to yourself, and then pasting the link in the body of the email.

How to see routes and directions offline

Aside from emailing yourself a route, there are limited options for seeing your routes offline.

After pinning a route or adding it to your homescreen, you can download a map (or maps) within the Google Maps app to see all pertinent locations offline. This will allow you to search and get directions without internet access, though only within the saved region(s).

Downloading offline maps (Android and iOS only)

Yes. You can pin that route if you’ve downloaded an offline map that includes both your starting location and destination. You can also get spontaneous directions within the saved area.

Only Google’s recommend routes can be pinned. You can choose alternate options before starting, but only while you’re online. If you’re using offline maps, you’ll only see one set of directions.

How To Use Youtube Music In Google Maps Navigation Mode

How To Use YouTube Music In Google Maps Navigation Mode How To Access YouTube Music In Google Maps?

Integrating YouTube Music with Google Maps makes driving smooth and enjoyable. Afterall, driving without music sucks and it is too boring. Google Maps allow you to directly control music from the directions screen. But remember, you first need to enable YouTube Music in Google Maps navigation mode.

Enable YouTube Music In Google Maps

Follow the steps below to enable YouTube Music in the Maps directions window:

Now swipe up from the bottom of the screen in the Google Maps navigation window.

Tap on YouTube Music from the available options. In my Android phone it is showing Google Play and Spotify alongwith YouTube Music.

Tap Next and read the Disclaimer. Press OK to continue.

YouTube Music in Google Maps is now enabled. Read the blog further to know more and also learn how to use YouTube Music in Maps navigation mode on Android devices.

How To Use YouTube Music In Google Maps Navigation Mode

Follow the steps below to start using YouTube Music in Google Maps navigation mode. It is a simple process and you can use it anytime while you are driving to any place.

Open Google Maps and start navigation to your destination.

Tap on the YouTube Music icon located at the right-side of the screen.

You’ll see basic playback controls when you swipe up through the tab showing your remaining distance and estimate ETA. You can use music playback controls to play Next or Previous tracks. (Make sure your YouTube Music account is upgraded).

Tap on Browse, if you want to play anything else.

If you wish to access playlists from your YouTube Music library, you can access it from the Browse section. You can tap on your desired playlist or tap X to close the menu.

The Playlists keep on changing over time but immediate access to Browse button won’t reflect any changes. So, if you wish to change the songs or the playlists, you might have to stop your car aside and then choose the playlist of your choice and continue driving.  Remember, the options to change the playlist are pretty limited so ensure that while driving you enjoy songs that are already in the list and make the most out of your soothing drive.

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